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An analysis of popular mainstream feminist writers and the 'crisis' within feminism

机译:主流女权主义主流作家分析与女权主义内部的“危机”

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摘要

This thesis examines the question of a crisis within feminism. This so-called "crisis," is influenced and promoted by such controversial popular feminist writers as Camille Paglia, Christina Hoff Sommers, and Katie Roiphe. Through the study of the recent popularization of feminism in mainstream presses, including Susan Faludi and Naomi Wolf, and the role of feminism in the academy, I will explore what is being described as a "crisis" within feminism. I am interested in how some of these authors came to be labeled "anti-feminist," specifically, Sommers, Roiphe and Paglia, while Faludi and Wolf remain firmly accepted in feminist circles. This study is initiated with a brief overview of the historical roots of feminism, reviewing as well, how the history of the women's movement has come to be written. Chapters Two and Three analyze the recent publications of popular writers, Sommers, Roiphe and Paglia, who constitute the foundation of this examination. The fourth and concluding chapter considers the recent proliferation of the terms: "postfeminism," and "anti-feminism"and how and what these terms mean to contemporary feminism. Finally, postmodern theory is employed to aid in interpreting the current dynamic in feminism; as well, postmodemism is used to recast the work and personae of Camille Paglia. I argue that the critical work of Sommers, Roiphe and Paglia is useful to contemporary feminism, in that it challenges feminists to enter the terrain of popular culture in order to disseminate feminism throughout mainstream society.
机译:本文探讨了女权主义内部危机的问题。这种所谓的“危机”受到诸如卡米尔·帕格里亚(Camille Paglia),克里斯蒂娜·霍夫·索姆斯(Christina Hoff Sommers)和凯蒂·罗伊(Katie Roiphe)等颇受争议的流行女权作家的影响和推动。通过研究女权主义最近在包括Susan Faludi和Naomi Wolf在内的主流媒体中的流行以及女权主义在学院中的作用,我将探索在女权主义中被称为“危机”的事物。我对其中一些作者被贴上“反女权主义者”的标签感兴趣,特别是索默斯,罗伊夫和帕格里亚,而法卢迪和沃尔夫仍然被女权主义者牢牢接受。这项研究首先概述了女权主义的历史根源,并回顾了妇女运动的历史是如何写成的。第二章和第三章分析了构成该考试基础的著名作家索默斯,罗伊夫和帕格里亚的最新出版物。第四章和结论章探讨了“后女权主义”和“反女权主义”这两个术语的最新发展,以及这些术语对当代女权主义的意义和意义。最后,后现代理论被用来帮助解释当前的女权主义动态。同样,后现代主义也被用来重塑卡米尔·帕格里亚的作品和角色。我认为索姆斯,罗伊夫和帕格里亚的批判工作对当代女权主义很有用,因为它挑战女权主义者进入流行文化领域,以便在整个主流社会中传播女权主义。

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